The Dolder Grand has been looking down on Zurich since 1899, when it opened as a curhaus for the city’s constitutionally exhausted, and its 2008 rebuild by Foster + Partners remains one of the great hotel renovations: the turreted original restored to full fairy-tale condition, flanked by two curved glass wings that hold most of the 175 rooms and suites. The site is the trick. Perched on the Adlisberg between forest and city, reached by the little Dolderbahn rack railway from Römerhof, it gives you Zurich, the lake and, on clear days, the Alps in one sweep.
Inside, the hotel doubles as a private museum. More than a hundred works hang through the public spaces, Warhol’s Big Retrospective Painting among them, alongside Miró, Dalí and enough contemporary pieces to justify the printed art walk the concierge will hand you. The Restaurant, under chef Heiko Nieder, holds two Michelin stars and treats dinner as a tasting-menu performance; Saltz, designed by Rolf Sachs, covers the informal end with more wit than most hotel brasseries manage.
The spa is the other headline: 4,000 square metres across three floors, with an indoor pool aimed at the view, an outdoor whirlpool that steams happily in winter, and a snow room for the brave. It is resort infrastructure ten minutes from a financial centre, which is exactly the pitch, and Zurich has never seriously answered it.



